
Born on the South side of Chicago
in the
Marquette Park neighborhood,
her parents and family members all encouraged her early interest
in art. Their leisure activities tended to the creative and
adventurous. Her mother spent many hours with her volunteer work as a
journalist and creative writer for her church and hospital. She
also
performed as a fortuneteller at many successful fundraisers for the
local charity events. Her aunt was an oil painter artist that did
enhancement for photographers. Her father spent his rare leisure time
exposing her to the exciting experiences camping and fishing in the
forests of northern Indiana and his homeland roots of Southern
Illinois. She saw and experienced things an ordinary Chicago city child
would have not, because of their interest in writing, acting, painting,
and nature.
As a young high school student, Ms. Rosenquist began her serious art
training when she was accepted at the Junior School of Chicago’s famed
Art Institute. Upon graduation, she attended the Chicago Art Institute
in conjunction with studies at the University of Chicago. In 1973, she
moved from Chicago to New Mexico, where she was hired as an apprentice
by Cindy Paulson, a silversmith and master jeweler. Ms. Paulson taught
her the method of metalworking know as fabrication with the unique art
of creating jewelry using primitive tools and age-old techniques passed
down through generations of Navajo craftsmen.This is a very rare but
ancient method of forming intricate work in metal.
Her silver and gold works are formed by cutting out shapes of precious
metal and wire. Each element of the design is uniquely connected.
Unlike the common method of casting and molding, which results in
identical products of manufactured jewelry, every piece of her jewelry
is truly an original and is not duplicated. Her work is the
essence of handcrafting. When you see her work, you are looking at a
one of a kind, and a true original. And when you have a rare piece of
her jewelry, you have something that no one else has, it is yours, and
yours alone, and you will never see another piece just like it. It is
yours, alone.
Each piece is handcrafted with serious attention to detail, resulting
in no two pieces precisely alike, making each product a unique piece of
art. Very unlike the commercial stamped and cast production silver that
all looks alike, she touches each piece with the fine hand of an
artist, and works it to perfection. In Ms. Rosenquist’s jewelry,
you
will see her inspiration coming from her environment. Leaves and
tendrils intertwine in perfect harmony. Excitement is added with jewel
colored stones, both precious and semi-precious. Her home and her
studio/workshop sits atop a high point in the Ozarks, north of Calico
Rock, Arkansas. Surrounded by the lush vegetation and halcyon sunsets
so remarkable in the Ozarks, she draws her designs from the bucolic
pleasure of living and working in a pristine and organic environment.
Her work appears classic in design, almost Victorian. At first glance
you will see graceful leaves, tendrils and perhaps a whimsical flower.
But look more closely and deeply into the design. You can see the
wildness that exists in nature, the chaos that forms the elegant final
work. She gathers the strength of her design by placing it on the
foundation of nature. It survives as a thing of beauty for you to
behold. She shares this with you, and hopes that through her work
and
your appreciation of it we will all weather our storms and see the
shining light of peace reflected in her silverwork.